Wednesday, February 22, 2012

Art History

Talking about creativity

Artist Articles - Art History

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Creativity is the ability to generate innovative ideas and manifest them from thought into reality. The process involves original thinking and then producing. The process of creation was historically reserved for deities creating “from nothing” in Creationism and other creation myths. Over time, the term creativity came to include human innovation, especially in art and science and led to the emergence of the creative class. [from Wikipedia]

Creativity is like sex. You fumble your way through, you get lost in it, you fall in love. Both are passionate, rhythmic, pleasurable, and flowing. Both can bear fruit. And both can rack your soul with vulnerability, bliss, fear and awkwardness.[from the web]

Where have we as artists supposed to find our creativity? This is a personal question, and one that has different answers from all of us as individuals. I have been asking myself this question on and off for years, I found some help from reading some creativity quotes from world renown artists, they gave me some guidance,  looking to these masters, I have tried to follow their lead.

Rodin for one, had some great ideas, he was one of the first to challenge established styles, and revolutionized sculpture, it has been said that Rodin was the best sculptor since Michael Angelo. This is a bit tall, but, O/K, why not? after reading as much about the man as I could find, I realise that the statement has some foundations. I believe Rodin was the Damien Hirst, or Tracy Emin of his time.

Rodin followed his own belief that all in nature is beautiful, and any artist who tried to improve upon nature by adding “Green to Springtime, Rosé to the sunrise, or Carmine to young lips” is creating ugliness because he is lying. So he went out and created what he considered to be the beautiful, to many people of the time his work was, outrageous, ugly, shocking,and indecent, on reflection we can see his works were in fact wholly truthfull, and honest renditions of what he saw, and these pieces have gone on to mark the transition he introduced in sculpture.

Rodin very often recycled his own work, by using part, or whole sculptures that he had already made (Marcottage),in other works, and many of his now very well known pieces are in fact parts taken from former ideas of his, the most famous is of course ” The thinker”, the original idea came to him, and was to be used on his epic “The gates of Hell”  which were based on Dante’s inferno, the Thinker was said to be Rodin’s idea of Dante himself.

My particular favorite quote from Rodin is “Nature is the source of all beauty”. He is also known as saying  that it was Michael Angelo who liberated him from  academicism. Again a bit tall, and hard to swallow, until you begin to learn a little more about Michael Angelo.

As a side note to this paragraph, my particular favorite of MA’s time was the sculptor/ goldsmith Benvenuto Cellini whose autobiography makes terrific reading, it is not a heavy and ancient tome, its lighthearted, and endearing, and could be applied to almost anyone of our YBA’s today.

Picasso also held some very firm beliefs, it is said that he had a reckless, impulsive, or very unconventional attitude toward money, material things, and ownership, above all stating,he did not want to be possessed by his possessions. The obligation of owning things was oppressive to him.

A famous quote of his, ” I have never made trails or experiments, whenever I had something to say ( literally and artistically) I said it in the manner in which it needed to be said…. I can hardly understand the importance given to the word research in connection with modern art. In my opinion to search means nothing in art. To find is the thing!”

The following was written to a student, by a teacher, who had submitted a poem for her approval,  it could easily be applied to art in any medium. “This is a well crafted poem. If you look at every line, see how well it is written, the form, the rhythm, the rhymes and syntax are all well handled. But the trouble is you knew everything in it before you sat down to write it. You didn’t surprise yourself, you didn’t discover anything as you wrote, nothing happened, and that is why Poetry has yet to walk into the poem”

All the above has helped me overcome the creative blocks that fall in front of me from time to time, we all have our own ways of rocking, and this is one of mine. I would like to quote Picasso once more, this statement signifies just about all that I feel regarding my artistic endeavors.

“To finish a piece? What nonsense! To finish means to be through with it! to rid it of soul, to give it the final blow! The coup de grace for the artist, as well as the piece”.

 

How to paint a surreal painting?

Artist Articles - Art History

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To paint a surreal painting we'd best define what a surreal painting is and lay out some very basic ideas about surrealism. Surrealism and Surrealist works feature the elements that surprise and cause an unexpected juxtaposition. The images are often dreamlike and can be seen as an almost visual joke. So how could we come up with surrealist ideas?

  • 1. Take two or three random everyday things and try and bring them together in an image.
  • 2. We could try and remember a dream and attempt to paint that.
  • 3. We could look for connections in things that at first glance have no connections, and combine them in an image.
  • 4 We can do something unexpected, and strange.

Most Surrealism, tends toward a realistic painting style, but this isn't essentual. We could use any style and make it surreal. So any painting or even photographic skill you have can be turned to surrealism. The key would be to make the image a visual surprise, something unexpected.

Rene magritte

René Magritte painted a man in a bowler hat facing us, but infront of his face is an apple. This is unexpected, as traditionally a painting of a person will not include an apple in front of the face. The painting is called "son of man" and the apple we therefore understand to represent the apple of Adam. Therefore two seeming obscure ideas are combined unexpectedly to create an image with a further meaning. To paint your own surrealist piece you will need to look for unexpected connections, think in unusual ways and explore the strange world of your dreams.   To help you think in a surrealist manner, it may be useful to read, or re-read  Alice in wonderland, and Alice though the looking glass by Lewis Carroll . These books contain many surreal ideas, and in some way go to teach you to think in a surreal dream like way.  oh and no writing about surrealism would be complete with out mentioning Salvador Dali, so I won't

   

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